Showing posts with label Barbican Estate. Show all posts
Showing posts with label Barbican Estate. Show all posts

Friday, 16 September 2016

The Wards of Old London: Cripplegate Without - Preachers and Printers

Having completed our tour of London's intramural wards, we have also explored the extramural ward of Portsoken. Following the northward and westward course of the Roman and Medieval walls, we should pass next into Bishopsgate Ward Without but, for reasons that will become apparent in the coming weeks, I am passing over this ward for the moment. We also pass over Coleman Street Ward, which we have already visited, since it straddles the intramural/extramural divide. That brings us, then, to Cripplegate Ward Without. Like Cripplegate Ward Within, much of this ward now lies beneath the 1960s concrete of the Barbican Estate, but, squeezed in between the high-walks, remains one of the City's few surviving Medieval churches, spared by the Great Fire of 1666.

Saint Giles Without Cripplegate. Photo: Lonpicman (licensed under GNU).


Saint Giles Without Cripplegate was originally a Saxon church, extensively re-modeled in 1090, 1394, and 1682. Gutted during the Blitz, it rose, once again, from the ashes, and has a lively congregation to this day.

Saint Giles Without Cripplegate. Photo: Lonpicman (licensed under GNU).


The area in which it stands was used for archery practice throughout the Middle Ages. The introduction of firearms in the Sixteenth Century made archery increasingly redundant, and the open land on which Londoners had trained for the fields of Crecy and Agincourt was built over, developing into a neighbourhood of mainly poor quality housing, interspersed with brothels and skittle-alleys. It was another technological innovation that was set to transform the character of the area. With high production volumes, but low profit-margins, many printers established their homes and workshops in affordable Cripplegate. Poor but literate, these free-thinking men and their families were open to the radical ideas then spreading around the continent of Europe.

The Curate of Saint Giles in 1570 was a man named John Field, classified by history as a "Puritan," but who almost certainly considered himself a Presbyterian. Much concerned with the "Popish abuses" of the established Church, he emphasised preaching over "ceremonial" liturgy, and argued for the replacement of the hierarchy of bishops by local elected synods. He was clearly a charismatic preacher, and many local printers and other artisans flocked to his pulpit.

One of Field's successors at Saint Giles, Robert Crowley, was active as a printer as well as a preacher. During the reign of the Catholic Queen Mary I, he had spent time in exile in Hamburg, where he had come into contact with Calvinist beliefs, at odds with the Lutheran ideas that underpinned the established Church of England (he acknowledged Christ as the Saviour of Mankind, but rejected the doctrine of the Holy Trinity). As a printer, Crowley published the first English book of psalms with harmonised music; and the first translations of the Gospels into Welsh. His fellow exile, John Foxe, returned from Hamburg to write his Book of Martyrs, one of the most influential works of anti-Catholic propaganda.

John Foxe in 1587, National Portrait Gallery (image is in the Public Domain).
Foxe's Book of Martyrs, 1563. Image: Folger Shakespeare Library (licensed under CCA).


In the years leading up to the outbreak of the English Civil War, the pulpit of Saint Giles became a spiritual hub of the Parliamentary and Presbyterian movements. Oliver Cromwell was married in the church in 1620; John Milton was a parishioner, and was buried here in 1674; John Bunyan, another parishioner, may have written The Pilgrim's Progress in a home nearby.

Sweedon's Passage, Grub Street, 1791, by John Thomas Smith (image is in the Public Domain).


With the end of Oliver Cromwell's Commonwealth, which Milton and Bunyan had served, the streets around Saint Giles retained both their demotic character, and their association with the printing industry, and Grub Street (later Milton Street) became a centre for early journalism. The men who worked there were frequently derided as "hacks:" Samuel Johnson, who had served his own apprenticeship there, wrote that:

"A news-writer is a man without virtue who writes lies at home for his own profit. To these compositions is required neither genius nor knowledge, neither industry nor sprightliness, but contempt of shame and indifference to truth are absolutely necessary."

The Coffeehous Mob, 1710 (Image is in the Public Domain), men gathering to discuss the news of the day.


Journalists were never above suspicion (many were believed to have taken bribes from Prime Minister Robert Walpole, in return for "massaging" the facts), but from this crucible emerged a number of long-lived publications, including The Spectator and The Gentleman's Magazine.  

The Gentleman's Magazine, 1759. Image: Michael Maggs (licensed under CCA).


Mark Patton's novels, Undreamed Shores, An Accidental King, and Omphalos, are published by Crooked Cat Publications, and can be purchased from Amazon. He is currently working on The CheapsideTales, a London-based trilogy of historical novels.


Thursday, 9 June 2016

The Wards of Old London: Cripplegate Within - Roman Fortifications and A Second Great Fire

Following the northern wall of the Roman and Medieval city in an easterly direction, a visitor to London passes from Aldersgate Ward Within into Cripplegate Ward Within, so named for one of the original gates of the city, where, it is thought, disabled people gathered to beg throughout the Middle Ages. Unlike the roads extending north from Aldersgate and Bishopsgate, that proceeding from Cripplegate was never a major road connecting London to other cities.

What would become Cripplegate was originally one of four gateways to the Roman fort that occupied the north-west corner of the post-Boudiccan city of Londinium, a fort that seems to have been established around 90 AD. It is larger than an auxiliary fort, but smaller than a legionary fort, so its garrison is likely to have comprised between a thousand and two thousand men.

The western gate of the Roman fort, as seen from the Museum Of London. Photo: Mike Peel (www.mikepeel.net), licensed under CCA.
The wall of the Roman fort preserved in the garden of Saint Alphege. Photo: Bartholomeus Thoth (licensed under CCA).


Since Londinium was, by the end of the First Century AD, the capital of the Province of Britannia, around two hundred of these are likely to have been Beneficiarii Consularis, military administrators concerned with logistics and supply-chains throughout the province. There would also have been around thirty Speculatores, military policemen responsible for the custody and execution of prisoners, and the delivery of dispatches. There would, in addition, have been the Governor's bodyguard of around a thousand men.

Tombstone of a Roman soldier of the First Century AD. Since he carries writing equipment, as well as a sword, he was probably an adminstrator. Image: J.E. Price, 1881 (Public Domain).


These men would not necessarily have been "Romans" from Italy: a letter found at the Roman fort of Vindolanda, near Hadrian's Wall, refers to the secondment of troops to London from a Tungrian unit - these men would have been recruited in what is now the Netherlands or Belgium, and would have been rewarded with Roman citizenship on completion of their military service. Some, at least, are likely to have married local women and settled in London.

Tombstone of a centurion of the 3rd Century AD, Museum of London. Photo: Elliott Brown (licensed under CCA).


When Alfred the Great re-established the City of London in 886 AD, he used the crumbling Roman walls as the basis for his own, although he did not reinstate the earlier fort, instead encouraging civilians to occupy the land to the south of Cripplegate. Some of the Medieval churches of the ward may have Saxon origins, but nothing of these can be seen today. The Hospital of Saint Mary Within Cripplegate was established in 1331 by a mercer, William Elsing, for blind beggars of both sexes. The hospital was initially supervised by five secular clergy (priests who did not belong to a monastic order), but they were found to be too occupied with "concerns of this world" (possibly code for embezzling funds intended to support the inmates - something that later workhouse supervisors frequently did), and replaced by Augustinian canons, whose role continued until Henry VIII's Dissolution of the Monasteries.

Cripplegate and Moorgate, as shown on the 16th Century "Woodcut Map" - sometimes wrongly attributed to Ralph Agas (image is in the Public Domain).


Cripplegate in c 1650, by Wenceslaus Hollar, University of Toronto (image is in the Public Domain).
The Church of Saint Alban, Wood Street, in 1839, by George Godwin (image is in the Public Domain).


Like most of the City, Cripplegate Ward Within was devastated by the Great Fire of 1666, but was rebuilt, with the Medieval street patterns largely respected. London faced a "Second Great Fire," however, on the night of the 29th/30th December, 1940. In the space of around eight hours, German bombers dropped more than 24,000 high explosive, and more than 100,000 incendiary bombs, destroying nineteen churches and thirty-one livery halls.

London in the aftermath of its "Second Great Fire," looking north from the dome of Saint Paul's, by H. Mason for The Daily Mail (image is in the Public Domain). The men of Saint Paul's Watch, who directed the fire-fighting activities were, for the most part, architects, with a clear sense of priority as to which buildings should be preserved.


Most of Cripplegate (Within and Without) remained a wasteland throughout the Nineteen-Fifties and Sixties, and, when regeneration did finally come, it was in the shape of the Modernist concrete of the Barbican Estate, with its high-walks and towers, the small fragments of the earlier buildings remaining, like ghosts, to be glimpsed between its pillars.

A Roman bastion, preserved within the Barbican Estate. Photo: Ceridwen (licensed under CCA).


The remains of Saint Alphege, London Wall, originally the chapel of William Elsing's hospital. Photo: Secretlondon (licensed under CCA).


The Church of Saint Alban, Wood Street, today, only the tower remaining, as one of the most remarkable private residences in the City. Photo: Neddyseagoon (licensed under GNU).

Mark Patton's novels, Undreamed Shores, An Accidental King, and Omphalos, are published by Crooked Cat Publications, and can be purchased from Amazon. He is currently working on The Cheapside Tales, a London-based trilogy of historical novels.