The Pagan Saxons from northern Germany, who had, at first, come to Britain as mercenaries, and then as raiders, now came as settlers, but the walled city of Londinium, with its high wharves, had little interest for them. They established their city, Lundenwic, to the west, in the area that is now Covent Garden, running parallel with what we call "The Strand," then literally a strand (or beach), on which they could haul up their shallow-draft open ships, with their cargoes of Baltic amber; Russian furs; and Irish & Scottish slaves.
|Earl Medieval brooch (650-670 AD), found with a woman's burial at Covent Garden. PAS/British Museum ID 257458 (licensed under CCA).|
In the Ninth Century, new Pagan raiders, the Vikings, began attacking the now Christianised Anglo-Saxon kingdoms of England. During the winter of 871 AD, they camped within the ruins of the old Roman city, fortifying it against the possibility of an Anglo-Saxon counter-attack. Having expelled the invaders, Alfred the Great, King of Wessex, took the decision to resettle the walled city, beginning in its south-western corner. Lundenwic was abandoned, and Lundenburh was born.
|London Wall outside the Museum of London. Photo: www.mikepeel.net (licensed under CCA).|
In the decades and centuries following the Norman invasion of 1066, the military and spiritual defences of the city were developed and enhanced. William the Conqueror built the White Tower, the first element of the Tower of London, in the city's south-eastern corner; he licensed his knights to build other fortifications, Chastel Baynard and Montfiquet Tower, to the west; and he began the construction of Saint Paul's Cathedral. Within a few centuries, these constructions were joined by around a hundred parish churches (many of them tiny, but built in stone, unlike most of the houses, which were of wood and thatch), and dozens of monasteries and priories.
|The White Tower. Photo: IncMan (licensed under CCA).|
|The Norman St Paul's Cathedral digital reconstruction based on a model of 1908. Photo: Bob Castle (licensed under CCA).|
|The Medieval London Bridge, as depicted by Claus Visscher in 1616 (image is in the Public Domain).|
Perhaps surprisingly, I struggled to find novels to reflect this period of almost a thousand years in London's emergence as a city and port. There are, doubtless, plenty of novels set in this period, in which at least some of the action happens to take place in London (if only because many of the leading royal and religious figures of the time spent much of their time here): but, for this series, I was seeking something more than this; novels in which the city itself is, at least to some extent, a character in its own right. If such novels exist for this period, I have not read them.
I therefore return to the first novel that I explored here, Edward Rutherfurd's "London," who covers the period in a series of interlinked stories: "The Rood" (604 AD); "The Conqueror" (1066); "The Tower" (1078-97); "The Saint" (1170-72); "The Mayor" (1189-1224); and "The Whorehouse" (1295); in all of which fictional characters mingle and interact with historical figures of the time.
"Above the wooden jetty, a small group of buildings included a barn, a cattle-pen, two storehouses, and the homestead of Cerdic and his household, surrounded by a stout wattle fence. All these buildings, large or small, were single-storey and mostly rectangular. Their walls, made of post and plank, were low, only four or five feet high, and strengthened on the outside by a sloping earth bank, turfed over. Their steep thatched roofs, however, rose to a height of nearly twenty feet ... The floor of Cerdic's hall was slightly sunken, so that one stepped down onto the wooden floorboards covered in rushes. The space inside was warm and commodious but rather dark, since when the door was shut the only light came from the vents in the thatch, made to let out the smoke from the fire in the stone hearth near the centre of the floor. Here the entire household gathered to eat."
"The two men sat facing each other across a table. For a while neither of them spoke as they considered their dangerous work, though either could have said, 'If we get caught, they'll kill us.' It was Barnikel who had called he meeting in his house by the little church of All Hallows, which now overlooked the rising Tower, and he had done so for a simple reason. For the first time in the ten years of their criminal activities, he had jut confessed: 'I'm worried.' And he had outlined his problem. To which Alfred had just offered a solution. When Alfred the armourer looked back, it often amazed him how easily he had been drawn into the business ... It had all started ten years ago, the summer that Barnikel's wife had suddenly died. All Barnikel's family and friends had rallied round, taking turns to keep him company. His children had encouraged the young apprentice to go too. Then, one evening, just as he was leaving, the Dane had put his huge arm around Alfred's shoulders and muttered into his ear: 'Would you like to do a little job for me? It could be dangerous.'"
"A long-nosed man on a piebald palfrey was leading an elegantly mounted lady and two packhorses over the quiet waters of the Thames and into the city of London. The man was Pentecost Silversleeves. The lady was Ida, the widow of a knight, and despite herself she had just started to weep ... As she looked at the city before her, it seemed to Ida that the world had turned to stone. The great walled enclosure of London seemed like a vast prison. On the left she could see the thickset stone fort by Ludgate. On the right, down by the waterside, the grey, square mass of the Tower, surly even in repose. All stone. Over the two low hills of London covered by houses loomed the dark, high, narrow line of Norman St Paul's, dreary and forbidding ... as the horses' hooves clip-clopped softly on the wooden bridge in the morning quiet, the sound of a striking bell came over the water with a solemn, sullen sound, as though it, too, were made of stone, to summon stony hearts to stony prayer."
Mark Patton is a published author of historical fiction and non-fiction, whose books can be purchased from Amazon.